National Archaeological Museum of Venice

The Museum

One of the oldest public museums in Europe

The Archaeological Museum’s history intertwines with the history of Venice and with the city’s relationship with the Ancient.

The bond has been woven since the origins of the Serenissima, well summarized in a constant search for legitimacy through the remains of a past that Venice could not exhibit except for artefacts that came from other places.

Venice’s military, political, and commercial contacts with Greece and the entire Mediterranean allowed it to receive illustrious spolia that went to the public monuments of St. Mark Square as well as to a high-level antique market and numerous antique collections.

These collections as a whole tell a particular aspect of the cultural, economic, social, and political life of the city.

At the end of the 16th century, Giovanni Grimani donated his collection of ancient sculptures, one of the most famous in Venice, to the Republic. This fact gave birth to the Statuary of the Serenissima, which will be housed in the vestibule of the St. Mark Library, transforming a private collection into a public pride.

Although the museum has been moved several times throughout its history, St. Mark Square has always been its seat.

National Archaeological Museum of Venice

The Place

In the heart of the most noble and singular city

Since 1926, the Archaeological Museum has been located in the initial part of the Procuratie Nuove, which occupies the entire southern side of St. Mark Square. Its rooms, in particular, correspond to the part which was built starting in 1582 by Vincenzo Scamozzi, who could only complete the first ten arches.

The complex, destined for the residences of the procurators, was formerly divided into apartments with large halls overlooking St. Mark Square and smaller rooms to the south overlooking the current Royal Gardens.

Starting in 1807, at the end of the Republic, the entire building was transformed into the Royal Palace of Venice, adapting it to the needs of the new rulers.

Some of the ceiling decorations still belong to the different phases of the Royal Palace.

The view of the rooms of the Archaeological Museum establishes a visual relationship on an urban scale with St. Mark Square and, on the other side, with the St. Mark Basin.

Accioché li forestieri dopo l’haver veduto et l’Arsenale, et l’altre cose maravigliose di quella città, potessero anco per cosa notabile veder queste antichità ridotte in un luogo publico.

GIOVANNI GRIMANI
1587

I observed a little world of memorable antiquities made in Alabaster, and some few in stone, which were brought thither by Cardinall Grimannus Patriarch of Aquileia.

THOMAS CORYAT
1608

El museo no es muy copioso de lapidas, bustos, estatuas y baxos-relieves; pero no dexa de contener mas de lo que es menester para poder campear en un lugar tan estrecho.

JUAN ANDRÉS
1785

J’ai vu ce matin la salle du Grand Conseil, transformée en bibliothèque et en musée. J’ai surtout remarqué la Léda et le Ganimède.

HENRY BEYLE STANDHAL
1815

Die Venezianer Statuen [...] sie mitten inne stehen im frischen klar dahinrollenden Strome der grossen schöpferischen Periode der griechischen Kunst.

ADOLF FURTWÄNGLER
1898

Il museo di Venezia, per la sua genesi, è uno dei più ricchi in fatto di originali greci e da questo fatto deriva la sua particolare importanza.

CARLO ANTI
1930

Everyday 10 am – 5 pm (except January 1st and December 25th)

17, St. Mark Square, Venice Italy
Entrance from the Museo Correr