{"id":4914,"date":"2023-05-16T10:39:32","date_gmt":"2023-05-16T08:39:32","guid":{"rendered":"https:\/\/archeologicovenezia.cultura.gov.it\/2023\/05\/16\/storie-di-piazza-san-marco-giacomo-boni-lo-stephen-hawking-degli-archeologi\/"},"modified":"2023-05-16T11:01:55","modified_gmt":"2023-05-16T09:01:55","slug":"storie-di-piazza-san-marco-giacomo-boni-lo-stephen-hawking-degli-archeologi","status":"publish","type":"post","link":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/2023\/05\/16\/storie-di-piazza-san-marco-giacomo-boni-lo-stephen-hawking-degli-archeologi\/","title":{"rendered":"Stories of St. Mark&#8217;s Square &#8211; Giacomo Boni, the Stephen Hawking of the archaeologists"},"content":{"rendered":"<p><em>by Myriam Pilutti Namer<\/em><\/p>\n<p>A talented young man who was born in Venice and became a successful archaeologist in Rome. That\u2019s how Giacomo Boni (Venezia 1859-Roma 1925) would have defined himself as a building site worker, an architect (not graduate), an official of the Ministry of Education, day-dreamer, scientist, archaeologist, botanist, seer, legend, and today myth. Versatile and brilliant pioneer, Boni is one of the most prominent archaeologists in Italy, above all the fact that his figure inspires new generations and causes debate among the old ones is the evidence of his all-sided character (according to Daniele Manacorda\u2019s definition), which is in common with his master John Ruskin.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_4907\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4907\" class=\"wp-image-4907 size-medium\" src=\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-300x300.jpg 300w, https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-1024x1024.jpg 1024w, https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-150x150.jpg 150w, https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-768x768.jpg 768w, https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-1536x1536.jpg 1536w, https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-650x650.jpg 650w, https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/1684223993678-1300x1300.jpg 1300w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-4907\" class=\"wp-caption-text\">Professor Myriam Pilutti Namer at the National Archaeological Museum of Venice<\/p><\/div>\n<p>Intellectuals of the twentieth century, architects, and archaeologists in the first place, all had to deal with this cumbersome character, capable of arousing a constant debate on the role he played in fueling the fascist myth of Rome but also on the definition of the contribution he made to the development of the archeology as a science. Architect\/archaeologist who excavated the foundations of the bell tower of San Marco in Venice and, above all, the one who led the largest excavation project at the Forum and the Palatine Hill in Rome, Boni &#8220;made himself&#8221; with talent and perseverance, deserving (after thirty years of apprenticeship and job insecurity) not one but two honorary degrees, from the University of Oxford and Cambridge. In recent years we have witnessed a veritable flowering of studies on Giacomo Boni, culminating in the latest exhibition held at the Colosseum Archaeological Park. And for 2025? Stay tuned.<\/p>\n<p>Reading suggestions:<\/p>\n<p>Alfonsina Russo <em>et alii<\/em>, <em>Giacomo Boni. L\u2019alba della modernit\u00e0<\/em>, Catalogo della mostra, Milano, Electa, 2021<\/p>\n<p>Andrea Paribeni, Myriam Pilutti Namer, <em>Giacomo Boni. Documenti e scritti inediti. Catalogo ragionato dell\u2019Archivio Boni-Tea (ILASL- Istituto lombardo Accademia di scienze e lettere &#8211; Milano)<\/em>, Roma, Scripta, 2020<\/p>\n<p>Myriam Pilutti Namer, <em>Giacomo Boni: storia memoria archeonomia<\/em>, Roma, L\u2019Erma Di Bretschneider, 2019 \u2013 open access qui: <a href=\"https:\/\/iris.unive.it\/handle\/10278\/3717316\">https:\/\/iris.unive.it\/handle\/10278\/3717316<\/a><\/p>\n<p>Irene Favaretto, Myriam Pilutti Namer (a cura di), <em>Tra Roma e Venezia. La cultura dell\u2019antico nell\u2019Italia dell\u2019Unit\u00e0: Giacomo Boni e i contesti<\/em>, Venezia, Istituto Veneto di Scienze, Lettere e Arti, 2016\u00a0 &#8211; open access qui: <a href=\"https:\/\/iris.unive.it\/handle\/10278\/3717337\">https:\/\/iris.unive.it\/handle\/10278\/3717337<\/a><\/p>\n<p>Daniele Manacorda, <em>Boni e il metodo della ricerca archeologica un secolo dopo<\/em>, in Favaretto, Pilutti Namer<em>, Tra Roma e Venezia<\/em>, pp. 121-144<\/p>\n<p>Myriam Pilutti Namer, <em>Ruskin e gli allievi. Note su Giacomo Boni e la cultura della conservazione dei monumenti a Venezia a fine Ottocento<\/em>, \u00abAteneo Veneto\u00bb, 3, ser. 12.1, 200, 2013, pp. 423-435 \u2013 open access qui:<\/p>\n<p><a href=\"https:\/\/iris.unive.it\/handle\/10278\/3717322\">https:\/\/iris.unive.it\/handle\/10278\/3717322<\/a><\/p>\n<p>Foto: <a href=\"http:\/\/www.fotografia.iccd.beniculturali.it\/index.php?r=collezioni\/scheda&amp;id=2645\">http:\/\/www.fotografia.iccd.beniculturali.it\/index.php?r=collezioni\/scheda&amp;id=2645<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Myriam Pilutti Namer A talented young man who was born in Venice and became a successful archaeologist in Rome. That\u2019s how Giacomo Boni (Venezia 1859-Roma 1925) would have defined himself as a building site worker, an architect (not graduate), [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4905,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"footnotes":""},"categories":[64],"tags":[157,89,90],"class_list":["post-4914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-en","tag-archeologia-en","tag-museo-archeologico-nazionale-di-venezia-en","tag-piazza-san-marco-en"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/posts\/4914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/comments?post=4914"}],"version-history":[{"count":1,"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/posts\/4914\/revisions"}],"predecessor-version":[{"id":4916,"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/posts\/4914\/revisions\/4916"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/media\/4905"}],"wp:attachment":[{"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/media?parent=4914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/categories?post=4914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archeologicovenezia.cultura.gov.it\/en\/wp-json\/wp\/v2\/tags?post=4914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}