\n <\/span>National Archaeological Museum of Venice<\/span><\/span>\n\t\t\t<\/h1>\n\t\t\t\t\t\t\t\n\t\t\t\tOne of the first public museums of ancient art in Europe\t\t\t<\/p>\n\t\t\t\t\t<\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_row_inner content_placement=”top” row_content_width=”grid” content_text_aligment=”left” simple_background_color=”#ffffff” css=”.vc_custom_1570012086607{padding-top: 90px !important;padding-bottom: 99px !important;}”][vc_column_inner]
\n\t\n\t\t\n\t\t\t\n\t\n \n The Museum<\/span>\n <\/span>\n \t\t\t\t\t\n <\/span>About us<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[vc_empty_space height=”6px”][vc_column_text]Heir to the Statuary of the Serenissima<\/em> and from 1596 in St. Mark Square, the National Archaeological Museum of Venice preserves and exhibits precious Greek and Roman sculptures, bronzes, ceramics, gems, coins and inscriptions, alongside Egyptian and Assyrian-Babylonian antiquities, a deposit of the Civic Museums. Its unique collection results from centuries of collecting and powerful testimony of Venice’s relationship with Antiquity.[\/vc_column_text][vc_empty_space height=”39px”]\n VIEW MORE<\/span>\n <\/a>\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\n\t\t\n\t\t\t\n \n ![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2021\/12\/Atena.jpg\")
<\/div>\n<\/div>[vc_empty_space height=”8px”]\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\n\t\t\n\t\t\t\n\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\tOPENING HOURS<\/span>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\tOpen from Tuesday to Sunday
\nWinter opening hours
\n(November 1st- March 31st)
\n10 am \u2013 5 pm
\nLast admission at 4pm
\nSummer opening hours
\n(April 1st- October 31st)
\n10 am - 6 pm
\nLast admission at 5 pm
\nClosed on non- holiday Mondays, January 1st and December 25th<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”20px”]\n Events<\/span>\n <\/a>[vc_empty_space height=”19px”]\n\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\tADMISSIONS<\/span>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\tCombined ticket National Archaeological Museum of Venice and monumental rooms of Marciana Library
\nFull Ticket: \u20ac 8
\nAges 18-25: \u20ac 2<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”19px”]\n Buy tickets<\/span>\n <\/a>[vc_empty_space height=”19px”]\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tFind us<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\t17, St. Mark Square, Venice Italy<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”10px”]\n Plan your visit<\/span>\n <\/a>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column offset=”vc_col-lg-offset-0 vc_col-lg-12 vc_col-md-offset-0 vc_col-md-12 vc_col-sm-offset-0 vc_col-xs-12″][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1572251664217{padding-bottom: 53px !important;}”][vc_column_inner]\n\t\n \n National Archaeological Museum of Venice<\/span>\n <\/span>\n \t\t\t\t\t\n <\/span>HIGHLIGHTS<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1570013526624{padding-bottom: 120px !important;}”][vc_column_inner]\n\t\n\t\t\n\t\t\t\n\t\n\t\t\n\t\t\t- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2025\/11\/sesterzio-Adriano-per-Vibia-Sabina-650x650.png\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: Vibia Sabina, Augusta and wife of Hadrian <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of Trajan's reign, as he had no heir, the question of succession became urgent.\r\n\r\nAccording to some sources, his wife Plotina played a decisive role in this situation, favoring the ascension to the throne of the son of\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2025\/08\/blog-1-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: the dynastic ambition of Lucilla Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tIn 176 AD, Marcus Aurelius awarded the title of Imperator to his fifteen-year-old son, Commodus, essentially designating him as his successor and thus ending the principate by adoption that had, until then, characterized the Antonine dynasty.\nHowever, this decision had political\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2025\/05\/ErenniaEtruscilla_recto-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: Erennia Etruscilla, the surviving Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nDuring the third century, at the height of military anarchy, political upheavals were the order of the day. Indeed, \u201csoldier emperors\u201d could fall victim to wars or usurpations, thus being killed by other pretenders to the throne who interrupted their\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"Denario](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2024\/11\/Fulvia-Palutilla-D-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: Fulvia Plautilla, fleeting wonder at the court of Severi <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nAfter the rise of Septimius Severus and the end of the civil war, the new emperor had to surround himself with reliable men of undoubted loyalty. One of them was Gaius Fulvius Plautianus, relative of Severus and prefect of the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2024\/10\/Busto_Antonia_Minore_243-2-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: Antonia Minor behind the scene of power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nWithin the Julio-Claudian dynasty, women often had the opportunity to shine and show off their political skills. However, there have been cases in which these, despite their prestige and influence, remained in the shadows: an example is that of Antonia\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2024\/07\/statuetta-ritratto-femminile-Sala-8-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: augustae of the Trajan age <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nTrajan is considered one of the best Roman emperors, awarded by the Senate with the title of optimus princeps. He was of Hispanic origins and his brilliant military career stands out, culminating with the conquest of Dacia between 101 and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2024\/06\/dama-flavia-Sala-X-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: the Flavian matrons <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of the civil war between 68 and 69 AD, which broke out after Nero's death, the empire passed into the hands of Vespasian, who re-established the balance lost with the end of the Julio-Claudian dynasty. A man\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2024\/05\/7-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: Julia Domna, the female side of Severan power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAccording to Cassius Dio, after Marcus Aurelius' death Rome would have passed \u00abfrom a kingdom of gold to one of iron and rust\u00bb: indeed, after the killing of Commodus in 192 AD, it began a serious crisis, in which the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2024\/04\/Agrippina-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Dominae and fashion: Agrippina the Elder, the perfect matron <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tObserving the Roman marble portraits in Room IX, one can note the presence of the one belonging to Agrippina Maggiore, an important female character of the Julio-Claudian dynasty. Daughter of Julia and Agrippa, granddaughter of Augustus, wife of Germanicus and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"Artemide\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/08\/Artemide-583x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Marbles and digital clones <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\n\r\n \r\n\r\nOn the occasion of the statue of Artemis loan to the Archaeological and Art Museum of Maremma in Grosseto, the National Archaeological Museum of Venice wanted to fill this absence within its collection, showing a digital clone.\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/08\/20-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n 1523-2023: a precious legacy for Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tFelix vibas, an incitement to happiness, is the spurious inscription found on the back of the bust of the so-called Vitellio, a Roman portrait from the age of Hadrian, which belonged to the collection of Cardinal Domenico Grimani. This motto,\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t
![\"\"](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/07\/artemideblog-650x650.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n\n \n Two heads for the Artemis of Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\nArtemis advances with a large and decisive step, dressed in a long light dress that opens like a fan between her legs and in a cloak that falls to her knees. Her elegant drapery follows the lines\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n <\/span>About us<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[vc_empty_space height=”6px”][vc_column_text]Heir to the Statuary of the Serenissima<\/em> and from 1596 in St. Mark Square, the National Archaeological Museum of Venice preserves and exhibits precious Greek and Roman sculptures, bronzes, ceramics, gems, coins and inscriptions, alongside Egyptian and Assyrian-Babylonian antiquities, a deposit of the Civic Museums. Its unique collection results from centuries of collecting and powerful testimony of Venice’s relationship with Antiquity.[\/vc_column_text][vc_empty_space height=”39px”]\n VIEW MORE<\/span>\n <\/a>\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\n\t\t\n\t\t\t\n \n <\/div>\n<\/div>[vc_empty_space height=”8px”]\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\n\t\t\n\t\t\t\n\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\tOPENING HOURS<\/span>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\tOpen from Tuesday to Sunday
\nWinter opening hours
\n(November 1st- March 31st)
\n10 am \u2013 5 pm
\nLast admission at 4pm
\nSummer opening hours
\n(April 1st- October 31st)
\n10 am - 6 pm
\nLast admission at 5 pm
\nClosed on non- holiday Mondays, January 1st and December 25th<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”20px”]\n Events<\/span>\n <\/a>[vc_empty_space height=”19px”]\n\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\tADMISSIONS<\/span>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\tCombined ticket National Archaeological Museum of Venice and monumental rooms of Marciana Library
\nFull Ticket: \u20ac 8
\nAges 18-25: \u20ac 2<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”19px”]\n Buy tickets<\/span>\n <\/a>[vc_empty_space height=”19px”]\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tFind us<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\t17, St. Mark Square, Venice Italy<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”10px”]\n Plan your visit<\/span>\n <\/a>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column offset=”vc_col-lg-offset-0 vc_col-lg-12 vc_col-md-offset-0 vc_col-md-12 vc_col-sm-offset-0 vc_col-xs-12″][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1572251664217{padding-bottom: 53px !important;}”][vc_column_inner]\n\t\n \n National Archaeological Museum of Venice<\/span>\n <\/span>\n \t\t\t\t\t\n <\/span>HIGHLIGHTS<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1570013526624{padding-bottom: 120px !important;}”][vc_column_inner]\n\t\n\t\t\n\t\t\t\n\t\n\t\t\n\t\t\t- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Vibia Sabina, Augusta and wife of Hadrian <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of Trajan's reign, as he had no heir, the question of succession became urgent.\r\n\r\nAccording to some sources, his wife Plotina played a decisive role in this situation, favoring the ascension to the throne of the son of\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the dynastic ambition of Lucilla Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tIn 176 AD, Marcus Aurelius awarded the title of Imperator to his fifteen-year-old son, Commodus, essentially designating him as his successor and thus ending the principate by adoption that had, until then, characterized the Antonine dynasty.\nHowever, this decision had political\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Erennia Etruscilla, the surviving Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nDuring the third century, at the height of military anarchy, political upheavals were the order of the day. Indeed, \u201csoldier emperors\u201d could fall victim to wars or usurpations, thus being killed by other pretenders to the throne who interrupted their\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Fulvia Plautilla, fleeting wonder at the court of Severi <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nAfter the rise of Septimius Severus and the end of the civil war, the new emperor had to surround himself with reliable men of undoubted loyalty. One of them was Gaius Fulvius Plautianus, relative of Severus and prefect of the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Antonia Minor behind the scene of power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nWithin the Julio-Claudian dynasty, women often had the opportunity to shine and show off their political skills. However, there have been cases in which these, despite their prestige and influence, remained in the shadows: an example is that of Antonia\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: augustae of the Trajan age <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nTrajan is considered one of the best Roman emperors, awarded by the Senate with the title of optimus princeps. He was of Hispanic origins and his brilliant military career stands out, culminating with the conquest of Dacia between 101 and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the Flavian matrons <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of the civil war between 68 and 69 AD, which broke out after Nero's death, the empire passed into the hands of Vespasian, who re-established the balance lost with the end of the Julio-Claudian dynasty. A man\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Julia Domna, the female side of Severan power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAccording to Cassius Dio, after Marcus Aurelius' death Rome would have passed \u00abfrom a kingdom of gold to one of iron and rust\u00bb: indeed, after the killing of Commodus in 192 AD, it began a serious crisis, in which the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Agrippina the Elder, the perfect matron <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tObserving the Roman marble portraits in Room IX, one can note the presence of the one belonging to Agrippina Maggiore, an important female character of the Julio-Claudian dynasty. Daughter of Julia and Agrippa, granddaughter of Augustus, wife of Germanicus and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Marbles and digital clones <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\n\r\n \r\n\r\nOn the occasion of the statue of Artemis loan to the Archaeological and Art Museum of Maremma in Grosseto, the National Archaeological Museum of Venice wanted to fill this absence within its collection, showing a digital clone.\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n 1523-2023: a precious legacy for Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tFelix vibas, an incitement to happiness, is the spurious inscription found on the back of the bust of the so-called Vitellio, a Roman portrait from the age of Hadrian, which belonged to the collection of Cardinal Domenico Grimani. This motto,\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Two heads for the Artemis of Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\nArtemis advances with a large and decisive step, dressed in a long light dress that opens like a fan between her legs and in a cloak that falls to her knees. Her elegant drapery follows the lines\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
<\/div>\n<\/div>[vc_empty_space height=”8px”]\t\t<\/div>\n\t<\/div>\n<\/div>\n\t\t\t\t\t\t\t\tOPENING HOURS<\/span>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\tOpen from Tuesday to Sunday
\nWinter opening hours
\n(November 1st- March 31st)
\n10 am \u2013 5 pm
\nLast admission at 4pm
\nSummer opening hours
\n(April 1st- October 31st)
\n10 am - 6 pm
\nLast admission at 5 pm
\nClosed on non- holiday Mondays, January 1st and December 25th<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”20px”]\n Events<\/span>\n <\/a>[vc_empty_space height=”19px”]\n\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\tADMISSIONS<\/span>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\tCombined ticket National Archaeological Museum of Venice and monumental rooms of Marciana Library
\nFull Ticket: \u20ac 8
\nAges 18-25: \u20ac 2<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”19px”]\n Buy tickets<\/span>\n <\/a>[vc_empty_space height=”19px”]\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tFind us<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\t17, St. Mark Square, Venice Italy<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”10px”]\n Plan your visit<\/span>\n <\/a>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column offset=”vc_col-lg-offset-0 vc_col-lg-12 vc_col-md-offset-0 vc_col-md-12 vc_col-sm-offset-0 vc_col-xs-12″][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1572251664217{padding-bottom: 53px !important;}”][vc_column_inner]\n\t\n \n National Archaeological Museum of Venice<\/span>\n <\/span>\n \t\t\t\t\t\n <\/span>HIGHLIGHTS<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1570013526624{padding-bottom: 120px !important;}”][vc_column_inner]\n\t\n\t\t\n\t\t\t\n\t\n\t\t\n\t\t\t- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Vibia Sabina, Augusta and wife of Hadrian <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of Trajan's reign, as he had no heir, the question of succession became urgent.\r\n\r\nAccording to some sources, his wife Plotina played a decisive role in this situation, favoring the ascension to the throne of the son of\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the dynastic ambition of Lucilla Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tIn 176 AD, Marcus Aurelius awarded the title of Imperator to his fifteen-year-old son, Commodus, essentially designating him as his successor and thus ending the principate by adoption that had, until then, characterized the Antonine dynasty.\nHowever, this decision had political\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Erennia Etruscilla, the surviving Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nDuring the third century, at the height of military anarchy, political upheavals were the order of the day. Indeed, \u201csoldier emperors\u201d could fall victim to wars or usurpations, thus being killed by other pretenders to the throne who interrupted their\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Fulvia Plautilla, fleeting wonder at the court of Severi <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nAfter the rise of Septimius Severus and the end of the civil war, the new emperor had to surround himself with reliable men of undoubted loyalty. One of them was Gaius Fulvius Plautianus, relative of Severus and prefect of the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Antonia Minor behind the scene of power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nWithin the Julio-Claudian dynasty, women often had the opportunity to shine and show off their political skills. However, there have been cases in which these, despite their prestige and influence, remained in the shadows: an example is that of Antonia\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: augustae of the Trajan age <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nTrajan is considered one of the best Roman emperors, awarded by the Senate with the title of optimus princeps. He was of Hispanic origins and his brilliant military career stands out, culminating with the conquest of Dacia between 101 and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the Flavian matrons <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of the civil war between 68 and 69 AD, which broke out after Nero's death, the empire passed into the hands of Vespasian, who re-established the balance lost with the end of the Julio-Claudian dynasty. A man\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Julia Domna, the female side of Severan power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAccording to Cassius Dio, after Marcus Aurelius' death Rome would have passed \u00abfrom a kingdom of gold to one of iron and rust\u00bb: indeed, after the killing of Commodus in 192 AD, it began a serious crisis, in which the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Agrippina the Elder, the perfect matron <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tObserving the Roman marble portraits in Room IX, one can note the presence of the one belonging to Agrippina Maggiore, an important female character of the Julio-Claudian dynasty. Daughter of Julia and Agrippa, granddaughter of Augustus, wife of Germanicus and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Marbles and digital clones <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\n\r\n \r\n\r\nOn the occasion of the statue of Artemis loan to the Archaeological and Art Museum of Maremma in Grosseto, the National Archaeological Museum of Venice wanted to fill this absence within its collection, showing a digital clone.\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n 1523-2023: a precious legacy for Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tFelix vibas, an incitement to happiness, is the spurious inscription found on the back of the bust of the so-called Vitellio, a Roman portrait from the age of Hadrian, which belonged to the collection of Cardinal Domenico Grimani. This motto,\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Two heads for the Artemis of Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\nArtemis advances with a large and decisive step, dressed in a long light dress that opens like a fan between her legs and in a cloak that falls to her knees. Her elegant drapery follows the lines\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\nWinter opening hours
\n(November 1st- March 31st)
\n10 am \u2013 5 pm
\nLast admission at 4pm
\nSummer opening hours
\n(April 1st- October 31st)
\n10 am - 6 pm
\nLast admission at 5 pm
\nClosed on non- holiday Mondays, January 1st and December 25th<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”20px”]\n Events<\/span>\n <\/a>[vc_empty_space height=”19px”]
\n\t\t\t\t\t\t\t\tADMISSIONS<\/span>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\tCombined ticket National Archaeological Museum of Venice and monumental rooms of Marciana Library
\nFull Ticket: \u20ac 8
\nAges 18-25: \u20ac 2<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”19px”]\n Buy tickets<\/span>\n <\/a>[vc_empty_space height=”19px”]\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t \n <\/i> <\/span>\n\t\t\t\t\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tFind us<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\t17, St. Mark Square, Venice Italy<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”10px”]\n Plan your visit<\/span>\n <\/a>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column offset=”vc_col-lg-offset-0 vc_col-lg-12 vc_col-md-offset-0 vc_col-md-12 vc_col-sm-offset-0 vc_col-xs-12″][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1572251664217{padding-bottom: 53px !important;}”][vc_column_inner]\n\t\n \n National Archaeological Museum of Venice<\/span>\n <\/span>\n \t\t\t\t\t\n <\/span>HIGHLIGHTS<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1570013526624{padding-bottom: 120px !important;}”][vc_column_inner]\n\t\n\t\t\n\t\t\t\n\t\n\t\t\n\t\t\t- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Vibia Sabina, Augusta and wife of Hadrian <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of Trajan's reign, as he had no heir, the question of succession became urgent.\r\n\r\nAccording to some sources, his wife Plotina played a decisive role in this situation, favoring the ascension to the throne of the son of\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the dynastic ambition of Lucilla Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tIn 176 AD, Marcus Aurelius awarded the title of Imperator to his fifteen-year-old son, Commodus, essentially designating him as his successor and thus ending the principate by adoption that had, until then, characterized the Antonine dynasty.\nHowever, this decision had political\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Erennia Etruscilla, the surviving Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nDuring the third century, at the height of military anarchy, political upheavals were the order of the day. Indeed, \u201csoldier emperors\u201d could fall victim to wars or usurpations, thus being killed by other pretenders to the throne who interrupted their\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Fulvia Plautilla, fleeting wonder at the court of Severi <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nAfter the rise of Septimius Severus and the end of the civil war, the new emperor had to surround himself with reliable men of undoubted loyalty. One of them was Gaius Fulvius Plautianus, relative of Severus and prefect of the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Antonia Minor behind the scene of power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nWithin the Julio-Claudian dynasty, women often had the opportunity to shine and show off their political skills. However, there have been cases in which these, despite their prestige and influence, remained in the shadows: an example is that of Antonia\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: augustae of the Trajan age <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nTrajan is considered one of the best Roman emperors, awarded by the Senate with the title of optimus princeps. He was of Hispanic origins and his brilliant military career stands out, culminating with the conquest of Dacia between 101 and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the Flavian matrons <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of the civil war between 68 and 69 AD, which broke out after Nero's death, the empire passed into the hands of Vespasian, who re-established the balance lost with the end of the Julio-Claudian dynasty. A man\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Julia Domna, the female side of Severan power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAccording to Cassius Dio, after Marcus Aurelius' death Rome would have passed \u00abfrom a kingdom of gold to one of iron and rust\u00bb: indeed, after the killing of Commodus in 192 AD, it began a serious crisis, in which the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Agrippina the Elder, the perfect matron <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tObserving the Roman marble portraits in Room IX, one can note the presence of the one belonging to Agrippina Maggiore, an important female character of the Julio-Claudian dynasty. Daughter of Julia and Agrippa, granddaughter of Augustus, wife of Germanicus and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Marbles and digital clones <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\n\r\n \r\n\r\nOn the occasion of the statue of Artemis loan to the Archaeological and Art Museum of Maremma in Grosseto, the National Archaeological Museum of Venice wanted to fill this absence within its collection, showing a digital clone.\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n 1523-2023: a precious legacy for Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tFelix vibas, an incitement to happiness, is the spurious inscription found on the back of the bust of the so-called Vitellio, a Roman portrait from the age of Hadrian, which belonged to the collection of Cardinal Domenico Grimani. This motto,\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Two heads for the Artemis of Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\nArtemis advances with a large and decisive step, dressed in a long light dress that opens like a fan between her legs and in a cloak that falls to her knees. Her elegant drapery follows the lines\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\nFull Ticket: \u20ac 8
\nAges 18-25: \u20ac 2<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”19px”]\n Buy tickets<\/span>\n <\/a>[vc_empty_space height=”19px”]
\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\tFind us<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/h6>\n\t\t\t\t\t\t\t17, St. Mark Square, Venice Italy<\/p>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”10px”]\n Plan your visit<\/span>\n <\/a>\t\t<\/div>\n\t<\/div>\n<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column offset=”vc_col-lg-offset-0 vc_col-lg-12 vc_col-md-offset-0 vc_col-md-12 vc_col-sm-offset-0 vc_col-xs-12″][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1572251664217{padding-bottom: 53px !important;}”][vc_column_inner]\n\t\n \n National Archaeological Museum of Venice<\/span>\n <\/span>\n \t\t\t\t\t\n <\/span>HIGHLIGHTS<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1570013526624{padding-bottom: 120px !important;}”][vc_column_inner]\n\t\n\t\t\n\t\t\t\n\t\n\t\t\n\t\t\t- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Vibia Sabina, Augusta and wife of Hadrian <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of Trajan's reign, as he had no heir, the question of succession became urgent.\r\n\r\nAccording to some sources, his wife Plotina played a decisive role in this situation, favoring the ascension to the throne of the son of\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the dynastic ambition of Lucilla Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tIn 176 AD, Marcus Aurelius awarded the title of Imperator to his fifteen-year-old son, Commodus, essentially designating him as his successor and thus ending the principate by adoption that had, until then, characterized the Antonine dynasty.\nHowever, this decision had political\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Erennia Etruscilla, the surviving Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nDuring the third century, at the height of military anarchy, political upheavals were the order of the day. Indeed, \u201csoldier emperors\u201d could fall victim to wars or usurpations, thus being killed by other pretenders to the throne who interrupted their\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Fulvia Plautilla, fleeting wonder at the court of Severi <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nAfter the rise of Septimius Severus and the end of the civil war, the new emperor had to surround himself with reliable men of undoubted loyalty. One of them was Gaius Fulvius Plautianus, relative of Severus and prefect of the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Antonia Minor behind the scene of power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nWithin the Julio-Claudian dynasty, women often had the opportunity to shine and show off their political skills. However, there have been cases in which these, despite their prestige and influence, remained in the shadows: an example is that of Antonia\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: augustae of the Trajan age <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nTrajan is considered one of the best Roman emperors, awarded by the Senate with the title of optimus princeps. He was of Hispanic origins and his brilliant military career stands out, culminating with the conquest of Dacia between 101 and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the Flavian matrons <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of the civil war between 68 and 69 AD, which broke out after Nero's death, the empire passed into the hands of Vespasian, who re-established the balance lost with the end of the Julio-Claudian dynasty. A man\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Julia Domna, the female side of Severan power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAccording to Cassius Dio, after Marcus Aurelius' death Rome would have passed \u00abfrom a kingdom of gold to one of iron and rust\u00bb: indeed, after the killing of Commodus in 192 AD, it began a serious crisis, in which the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Agrippina the Elder, the perfect matron <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tObserving the Roman marble portraits in Room IX, one can note the presence of the one belonging to Agrippina Maggiore, an important female character of the Julio-Claudian dynasty. Daughter of Julia and Agrippa, granddaughter of Augustus, wife of Germanicus and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Marbles and digital clones <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\n\r\n \r\n\r\nOn the occasion of the statue of Artemis loan to the Archaeological and Art Museum of Maremma in Grosseto, the National Archaeological Museum of Venice wanted to fill this absence within its collection, showing a digital clone.\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n 1523-2023: a precious legacy for Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tFelix vibas, an incitement to happiness, is the spurious inscription found on the back of the bust of the so-called Vitellio, a Roman portrait from the age of Hadrian, which belonged to the collection of Cardinal Domenico Grimani. This motto,\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Two heads for the Artemis of Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\nArtemis advances with a large and decisive step, dressed in a long light dress that opens like a fan between her legs and in a cloak that falls to her knees. Her elegant drapery follows the lines\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n <\/span>HIGHLIGHTS<\/span><\/span>\n\t\t\t<\/h2>\n\t\t\t\t\t\t\t<\/div>\n<\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_row_inner row_content_width=”grid” simple_background_color=”#ffffff” css=”.vc_custom_1570013526624{padding-bottom: 120px !important;}”][vc_column_inner]\n\t\n\t\t\n\t\t\t\n\t\n\t\t\n\t\t\t- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Vibia Sabina, Augusta and wife of Hadrian <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of Trajan's reign, as he had no heir, the question of succession became urgent.\r\n\r\nAccording to some sources, his wife Plotina played a decisive role in this situation, favoring the ascension to the throne of the son of\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the dynastic ambition of Lucilla Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tIn 176 AD, Marcus Aurelius awarded the title of Imperator to his fifteen-year-old son, Commodus, essentially designating him as his successor and thus ending the principate by adoption that had, until then, characterized the Antonine dynasty.\nHowever, this decision had political\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Erennia Etruscilla, the surviving Augusta <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nDuring the third century, at the height of military anarchy, political upheavals were the order of the day. Indeed, \u201csoldier emperors\u201d could fall victim to wars or usurpations, thus being killed by other pretenders to the throne who interrupted their\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Fulvia Plautilla, fleeting wonder at the court of Severi <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nAfter the rise of Septimius Severus and the end of the civil war, the new emperor had to surround himself with reliable men of undoubted loyalty. One of them was Gaius Fulvius Plautianus, relative of Severus and prefect of the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Antonia Minor behind the scene of power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nWithin the Julio-Claudian dynasty, women often had the opportunity to shine and show off their political skills. However, there have been cases in which these, despite their prestige and influence, remained in the shadows: an example is that of Antonia\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: augustae of the Trajan age <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nTrajan is considered one of the best Roman emperors, awarded by the Senate with the title of optimus princeps. He was of Hispanic origins and his brilliant military career stands out, culminating with the conquest of Dacia between 101 and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: the Flavian matrons <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of the civil war between 68 and 69 AD, which broke out after Nero's death, the empire passed into the hands of Vespasian, who re-established the balance lost with the end of the Julio-Claudian dynasty. A man\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Julia Domna, the female side of Severan power <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tAccording to Cassius Dio, after Marcus Aurelius' death Rome would have passed \u00abfrom a kingdom of gold to one of iron and rust\u00bb: indeed, after the killing of Commodus in 192 AD, it began a serious crisis, in which the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Dominae and fashion: Agrippina the Elder, the perfect matron <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tObserving the Roman marble portraits in Room IX, one can note the presence of the one belonging to Agrippina Maggiore, an important female character of the Julio-Claudian dynasty. Daughter of Julia and Agrippa, granddaughter of Augustus, wife of Germanicus and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Marbles and digital clones <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\n\r\n \r\n\r\nOn the occasion of the statue of Artemis loan to the Archaeological and Art Museum of Maremma in Grosseto, the National Archaeological Museum of Venice wanted to fill this absence within its collection, showing a digital clone.\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n 1523-2023: a precious legacy for Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tFelix vibas, an incitement to happiness, is the spurious inscription found on the back of the bust of the so-called Vitellio, a Roman portrait from the age of Hadrian, which belonged to the collection of Cardinal Domenico Grimani. This motto,\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n \n\t <\/div>\n \t \n\t \n
\n \n Two heads for the Artemis of Venice <\/a>\n <\/h4> <\/div>\n\t \n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\nArtemis advances with a large and decisive step, dressed in a long light dress that opens like a fan between her legs and in a cloak that falls to her knees. Her elegant drapery follows the lines\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
- \n\t\t\t
- \n\t\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n
\n \n Dominae and fashion: Vibia Sabina, Augusta and wife of Hadrian <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of Trajan's reign, as he had no heir, the question of succession became urgent.\r\n\r\nAccording to some sources, his wife Plotina played a decisive role in this situation, favoring the ascension to the throne of the son of\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: the dynastic ambition of Lucilla Augusta <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tIn 176 AD, Marcus Aurelius awarded the title of Imperator to his fifteen-year-old son, Commodus, essentially designating him as his successor and thus ending the principate by adoption that had, until then, characterized the Antonine dynasty.\nHowever, this decision had political\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: Erennia Etruscilla, the surviving Augusta <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nDuring the third century, at the height of military anarchy, political upheavals were the order of the day. Indeed, \u201csoldier emperors\u201d could fall victim to wars or usurpations, thus being killed by other pretenders to the throne who interrupted their\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: Fulvia Plautilla, fleeting wonder at the court of Severi <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nAfter the rise of Septimius Severus and the end of the civil war, the new emperor had to surround himself with reliable men of undoubted loyalty. One of them was Gaius Fulvius Plautianus, relative of Severus and prefect of the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: Antonia Minor behind the scene of power <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nWithin the Julio-Claudian dynasty, women often had the opportunity to shine and show off their political skills. However, there have been cases in which these, despite their prestige and influence, remained in the shadows: an example is that of Antonia\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: augustae of the Trajan age <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\t\r\nTrajan is considered one of the best Roman emperors, awarded by the Senate with the title of optimus princeps. He was of Hispanic origins and his brilliant military career stands out, culminating with the conquest of Dacia between 101 and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: the Flavian matrons <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tAt the end of the civil war between 68 and 69 AD, which broke out after Nero's death, the empire passed into the hands of Vespasian, who re-established the balance lost with the end of the Julio-Claudian dynasty. A man\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: Julia Domna, the female side of Severan power <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tAccording to Cassius Dio, after Marcus Aurelius' death Rome would have passed \u00abfrom a kingdom of gold to one of iron and rust\u00bb: indeed, after the killing of Commodus in 192 AD, it began a serious crisis, in which the\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Dominae and fashion: Agrippina the Elder, the perfect matron <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tObserving the Roman marble portraits in Room IX, one can note the presence of the one belonging to Agrippina Maggiore, an important female character of the Julio-Claudian dynasty. Daughter of Julia and Agrippa, granddaughter of Augustus, wife of Germanicus and\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Marbles and digital clones <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\n\r\n \r\n\r\nOn the occasion of the statue of Artemis loan to the Archaeological and Art Museum of Maremma in Grosseto, the National Archaeological Museum of Venice wanted to fill this absence within its collection, showing a digital clone.\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n 1523-2023: a precious legacy for Venice <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tFelix vibas, an incitement to happiness, is the spurious inscription found on the back of the bust of the so-called Vitellio, a Roman portrait from the age of Hadrian, which belonged to the collection of Cardinal Domenico Grimani. This motto,\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
\n\t\t Read More<\/span> <\/a>\t<\/div>\n\t <\/div>\n <\/div>\n\t<\/div>\n<\/li>- \n\t
\n\t\t\n\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n \n\n\t <\/div>\n \t\n\t \n\n \n Two heads for the Artemis of Venice <\/a>\n <\/h4> <\/div>\n\t
\n\t\t \t\t\n\t\t\t\n\t\t\t\tThe Archaeological Museum elsewhere\r\nArtemis advances with a large and decisive step, dressed in a long light dress that opens like a fan between her legs and in a cloak that falls to her knees. Her elegant drapery follows the lines\t\t\t<\/p>\n\t\t<\/div>\n\t\t\t \t
- \n\t
![\"Giacomo](\"https:\/\/archeologicovenezia.cultura.gov.it\/wp-content\/uploads\/2023\/05\/Nunes_Vais_Giacomo_Boni.jpg\")
\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n